The films of Fulci's late career are generally considered to be hit-and-miss-and-miss-and-miss. I've tended to like his later works, finding them more indulgent of his intuitive and experimental approach. It's easy to neglect that Fulci studied film theory and knows his
avant-garde cinema and theory very well. While Fulci is stylistically on form here with lots of great ideas, I'm afraid The ...