Alright you pros . . . I am looking for some advice. I just secured $10K in funding to get me started on a part-time photography biz. For a little background, I have been a photographer for about 12 years, and have freelanced here and there for alot of that time. Over the last year, I am getting increased offers for my services, and eventually want to start doing weddings. I do have a full ...
Oh I just wanted to add . . . Currently I am simply looking for an little extra income, I would be thrilled with $10-$20K a year in profit, I realize that will not happen immediately. I have a vast array of contacts in the music business on a local and regional level from a former business I owned. I have a good network in place to get me started, but marketing is an early thing I will need ...
This is the kind of post that bothers me. Why not attach something useful to that statement instead of just being abrasive. It is not a flattering trait, I assure you. Mike_13 wrote: > > Craig Metz wrote: > > > I found Ken Rockwell's site extremely helpful, > > You're doomed...
I think the Ken Rockwell crack was meant tongue-in-cheek. Your equipment looks fine, though if at all possible I'd buy them new and not refurbed. I realize it's expensive, but the last thing you want is for a camera or a light to stop working in the middle of a wedding. With new equipment you are reasonably assured that nothing will go wrong at the worst possible moment -- of course there are ...
Craig, Good luck with your transition to a part time pro. It is a challenging business, and it takes good business skills to succeed. My thoughts about your equipment list might be of some value, and they are based upon 40 years as a pro. You should have three items not on your list: 1) a backup camera body of the same mount as your primary camera, in your case Nikon, 2) a back up flash, ...
I should have mentioned that . . . I will get a 2nd D700 and backup lenses before doing a wedding. As far as refurbs go, I am only doing the camera and the mac. I will buy a backup D700 when the price comes down. Thanks for the post!
You are correct. Let me reword my post: You're doomed. My advice: avoid Ken Rockwell. (is this better?) Craig Metz wrote: > This is the kind of post that bothers me. Why not attach something useful to that statement instead of just being abrasive. It is not a flattering trait, I assure you. > > > > Mike_13 wrote: > > > > Craig Metz wrote: > > > > > I found Ken Rockwell's site ...
deant wrote: > I think the Ken Rockwell crack was meant tongue-in-cheek. Yes. And no. Is there something good on KR's website? I'm sure there is, hidden behind all the "I've never seen this camera but here's my review of it" posts and bashings because something isn't made in his backyard... Is it a good thing to talk about you research, and only using KR's site as a reference? I think ...
I'll try one more time . . . If you have some information that I am obviously not privy to in regards to Ken Rockwell, than please share. If you are just hear to be a thorn in my side, than mission accomplished and you can spend your time on someone elses thread. Thanks. I will never understand people that feel a need to do what you are doing.
Craig Metz wrote: > I did jump to the conclusion that you had some 'worth' on this thread. So forgive me for that. Yes, and that's don't put too much into KR's website
jk wrote: > new 70-200 2.8 new one has nano coating .. 7 ed elements instead of 5 > and newer vr overall on paper a betetr perfpomer especially on full frame (we hope) > First rule of going pro - no more pixel peeping Second Rule - use the gear you have until it wears out. Only buy new gear when it offers a clear advantage - new product possibilieies (like a 1.2 lens vs a 2.8) or solves a problem (2.8 at a wedding vs a...
he means a reflector by when he wrote light disc PenguinPhotoCo wrote: > A bracket is not a must-have for wedding anymore than a skateboard it. Well, if your style is 1985 I guess you need one. > Off-camera flash is the style these days. Some used vivi 285s off ebay and PWs. There are cheaper alternatives to PWs, but you get what you pay for. Buy once and be done with it. > Should have an SB800/900 on the camera ,but...
pcunite wrote: > Craig Metz wrote: > > I just secured $10K in funding to get me started on a part-time photography biz. For a little background, I have been a photographer for about 12 years, and have freelanced here and there for alot of that time. Over the last year, I am getting increased offers for my services, and eventually want to start doing weddings. I do have a full time job with steady and decent pay, but I am...
Craig Metz wrote: > Does anyone have any thoughts on buying the lenses used on KEH.com? Any experience with them? KEH gets great reviews as does Adorama. I prefer Adorama. They will help you make the right decision if you get confused.
I've bought from KEH for years. They are very reliable and have good customer service. Their ratings are very conservative. I've bought stuff they list as "bargain" that looked almost new. I've also bought stuff that was listed as "ugly" that really looked ugly but worked fine.
Craig, The 50 mm 1.4 is a good choice especially if you are shooting in low light because its performance is better in the f2.8 through 5.6 range than other points on the scale. I used the 50/1.8. It was much less expensive and the quality of the lens is amazing. If you buy used, there are 2 versions. One made in Japan and one made in China, with the latter being newer but not as well built although the optical performance is supposed to be...
Craig Metz wrote: > Okay, so the 'old' 70-200 is an idea. Significant savings there . . . what are the trade-offs? The trade off is some vignetting and some slight loss of sharpeness at the border. > Sounds like maybe I should go with the SB900 over the SB600. I was trying to save a few bucks there, but maybe I go with the SB900 instead. If you can find a (used) SB-800 I would pick up that one. Some photographers...
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