BEN-HURVISION Possible with the SK | Thread profile

With Ben-Hur slated for next year in Blu, I did a quick CIH lens check to see if the Barco can go all the way from 2.76 to 1.77. It can. AR Lens-pos( 1.6-2.5) Srn width TD 2.76 1.6 165.6 264.96 22.08 2.4 1.84 144 264.96 22.08 1.77 2.49 106.2 264.96 22.08

Peter please give me a call. I am waiting to hear back from you. I tried calling you but your phone goes straight to voicemail. Ruben

You need to buy yourself a GPS with all those screens you are selling.

We can hope that one of the greatest films ever made gets the royal treatment. Art

Here are some others that would benefit from BenHurVision: # Oklahoma! (1955) - Todd-AO @ 30 frame/s; this production also shot in 35 mm CinemaScope @ 24 frame/s 2.55 # Ben-Hur (1959) - MGM Camera 65 2.76 # Mutiny on the Bounty (1962) - Ultra Panavision 70 # It's a Mad, Mad, Mad, Mad World (1963) - Ultra Panavision 70; presented in 70 mm Cinerama # The Fall of the Roman Empire (1964) ...

Quote: Originally Posted by CINERAMAX Peter, are you using the ol' photoshop, here? The black screen edges on this wall various across the collection of screen shots. So it probably isn't a wall consisting of DNP Supernova sheets. looks like Ben Hur could do with some extra light. Seems darker than the ...

Ha! Something Art said about seamed screens belonging in convention centers ringed true. This solution is a 2.76 supernova core dismantlement-capable Supernova 8/85 screen. I am not the first person to do a supernova 2.76 for BenHur (that Sam Runco has had in his kitchen for 3 years-giving credit where due ). This is however the first Ultra-Panavision Supernova Core screen .