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The Digital Video Information Network - www.dvinfo.net | Site profile
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Site profile page for http://www.dvinfo.net.
This report page has aggregated and summarized the online discussions from the Message Board located at http://www.dvinfo.net.
This site profile page outlines general site statistics such as: Users Activity, Site Activity, Site Rank, and Top Authors, which are reported in either a table or graph below for a given reporting time period.
Additional site profile information for http://www.dvinfo.net is also shown in the following divisions:
1) Top 10 Active Forums during Last Week
2) Top 10 Site Forums
3) Latest Active Threads
4) Hot Threads for Last Week
Warning: These statistics are generated using 'best efforts' and can experience delays and reporting errors at times. Please note that such statistics do not constitute a site's popularity and/or exact posting volumes at any given reporting period.
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Posting activity table on The Digital Video Information Network:
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Month
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3 Months
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Threads:
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1,050
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3,350
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9,338
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Post:
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2,381
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8,259
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23,516
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Authority Badge:
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BoardReader Authority Badge code for The Digital Video Information Network (http://www.dvinfo.net)
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Put this code anywhere on your forum page:
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Rating - The position measured by activity among all forum sites tracked by BoardReader.
If rating is 10 there are 9 forum sites which have higher activity.
Posts - Number of posts on forum site during last 7 days.
Threads - Number of threads on forum site active during last 7 days.
Authors - Number of authors which contributed to the site within last 7 days.
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The Digital Video Information Network posting activity graph:
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http://www.dvinfo.net Alexa graph:
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Top authors on The Digital Video Information Network during last week:
user's latest post:
AVCHD Workflow
Published (2009-11-24 12:42:00)
Thanks, I'll check that out. I am really on the fence, because I've been looking to jump to Avid for numerous reasons, but at this price, I might be able to swing both.
user's latest post:
Mov files from FC on Mac to...
Published (2009-11-24 11:33:00)
So I set the timeline to DV/DVCPRO since that is the only DV-NTSC options. Also set 16:9 and dropped a clip on the timeline. Rendered and it looks nice at 720x486. Then I exported as Quicktime files a very short clips 2 sec. Now I have sent it out email to see if they can import into Premier Pro on a PC. Waiting for their response.
user's latest post:
Apple Product Releases 10/20:...
Published (2009-11-24 14:30:00)
I've never understood why people consider an iMac for serious video work; it's a laptop with a big screen, external keyboard and no expandability options. Save up a few extra $$ and get a Mac Pro, even a refurbished or used one to save some dough. You'll then have everything you need to be fully compatible with any video camera and accessory required for pro editing, period.
user's latest post:
adobe premiere capturing
Published (2009-11-22 14:34:00)
Quote: Originally Posted by Adam Gold This thread should be in the Premiere forum. Moved -- thanks for the report.
user's latest post:
Steadicam Flyer (not LE) max load?
Published (2009-11-22 12:35:00)
Quote: Originally Posted by Mark Schlicher Was that Brian Freesh operating? He's famous for loading down his Flyer. :-) I tested my Flyer by loading it up with an HPX3000 (didn't have a scale to weigh it with but I am sure it was over 20 lbs). The arm held, but I also noticed that it put a lot of stress on the top stage, causing or contributing to some loosening of some screws that resulted in some shifting of the camera on the...
user's latest post:
can a client tamper with the...
Published (2009-11-24 21:39:00)
David: thanks for your carefully considered (and polite) reply. The issue I took was with the "big head" comment solely. We have ALL done free work at some point in our lives and/or careers. Do I condone it? No. What I ENCOURAGE all that will gather around my soapbox to do is make a fair and equitable contra deal anytime a client LEGITIMATELY cannot afford video work. A not-for-profit can ofttimes be included in a proposal...
user's latest post:
NeoScene 24P conversion
Published (2009-11-24 22:30:00)
Yes. 60i to 24p conversion will have temporal artifacts if you source wasn't 24p embedded within 60i. However many to do use this feature, particularly if you can lock the camera to 1/60th shutter, which almost removes much of strobe judders. Of course 24p, even when shot with a 24p camera will have motion judder, with certain movements. 24p shooting requires a more stable camera. You need to move your camera like is was a 50+lb film camera.
user's latest post:
Overclockers, be aware!!!
Published (2009-11-24 15:26:00)
Hey Harm, its me again to suggest an edit. When you bring up memtest, you state that you shouldn't run it until you notice problems. I just experienced hell for the last few months because 1 of 6 sticks was bad but it only caused occasional problems. If someone is trying to get a stable OC, they must run 'memtest86' before OC'ing otherwise they won't know for certain if their OC is the culprit of any instability...
user's latest post:
What does 60p footage look like?...
Published (2009-11-22 21:36:00)
I think they are referring to the strobe effect as a slower framerate in which you can see the frames changing. Look at a faster pan while recording 24p and you will see the motion going faster than the frames, which shows the frames changing. Slower shutter speeds would make the image mushy, not stroby imho. Faster shutter speeds might look more stroby. Sort of slices of images rather than s smooth flow between frames.
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Top 10 active forums on The Digital Video Information Network during last week:
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Top 10 forums on The Digital Video Information Network:
Sony XDCAM EX CineAlta
- 38,812 posts
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Wedding / Event Videography Techniques
- 34,291 posts
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What Happens in Vegas...
- 29,040 posts
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All Things Audio
- 27,670 posts
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JVC Pro HD Acquisition Systems
- 24,124 posts
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Canon XH G1 / A1 HDV Camcorders
- 23,562 posts
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Non-Linear Editing on the Mac
- 23,074 posts
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Open DV Discussion
- 16,743 posts
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CineForm Software Showcase
- 16,420 posts
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Attend the World Premiere
- 12,294 posts
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Latest active threads on The Digital Video Information Network:
Started 11 months ago (2008-12-25 15:43:00)
by Bill Pryor
It doesn't get any cheaper than fluorescents from skaeser.com. The lights you need depend on the situations. Fluorescents are nice for interviews because they're cool, don't pull much power and you can get either 3200 or daylight bulbs. Coollights.biz has some fluorescents too that are very reasonable if you get the 2-bulb non-dimmable units. Softboxes are nice but a bit of a pain to set up and ...
Started 20 hours, 16 minutes ago (2009-11-26 10:04:00)
by Marty Baggen
Even if it were not named for a poison, I would remain cynical.
Started 1 week, 3 days ago (2009-11-16 12:03:00)
by Paul Joy
Did you get any further in your search Piotr? I too am on the lookout for a monitor of that size, I'm looking for an HDMI one though so that I can use it with my EX1 (via component) and my 5dmkII.
I really like the look of the newer Marshall 6.5" monitor, but I'm concerned that it's 4:3 aspect will make the 16:9 output from the EX1 look not much larger than the built in LCD.
After trying ...
Started 9 months ago (2009-02-24 14:23:00)
by David Issko
thanks alister,
will check it out later for the upgrade.
best wishes
Started 1 month, 2 weeks ago (2009-10-12 08:59:00)
by Shaun Roemich
I can't even begin to imagine editing on a laptop EVERY day - as a value added thing for clients while watching rough cuts, sure but every day... not my style. I like two BIG monitors, a "real" keyboard and mouse and all the other things that come from a desktop. But I'm "old" at 38 so I've been working on desktops my entire career.
Started 1 week, 1 day ago (2009-11-18 11:35:00)
by Mario Vermunt
Hi Brian,
have a look at the Sennheiser MKH-50 or the Schoeps CMC641. Both are considered great mics for indoor (boom) purposes. At the very least look for a hypercardioid (not shotgun) mic.
Started 21 hours, 4 minutes ago (2009-11-26 09:16:00)
by Ike Tamigian
Here you go:
Sony Creative Software - Download: Vegas Pro 8.0
Started 2 weeks, 5 days ago (2009-11-07 09:38:00)
by Guy Cochran
Hi Greg,
I just jumped over to your site. Impressive! Are you hoping to get the same look that you get in your stills? If so, you're going to find that you need a lot of light. I'd say the least expensive big, soft, portable lights are going to be the Lowel Rifa. So when traveling, using tungsten because you can leave the bulbs in the softbox and set-up fast. In the studio or local, you can ...
Started 2 days, 7 hours ago (2009-11-24 23:18:00)
by Adam Stanislav
Open the .mp4 file in VLC, then check the codec from the menu. It will tell you the frame rate.
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Hot threads for last week on The Digital Video Information Network:
Started 1 week, 6 days ago (2009-11-13 20:38:00)
by Steve Nunez
Based on that "graphic": probably a solid state AVCHD 3-chip cam.......wonder??????
Or better yet- finally a HD capable Alpha DSLR!
Started 6 days, 18 hours ago (2009-11-20 11:44:00)
by Yesterday, 11:44 AM EX1R over the HPX-300? Kent Beeson
Trying to decide between HPX300 or buying the new SONY EX1R - thought I'd see if anyone has some thoughts on the better image overall? 1/3" vs 1/2" sensors may sell the SONY EX1R for me but the 4:2:2 and 10-bit Panny makes me think as well...
Any thoughts on why EX1R is the way to go over the HPX-300? Or maybe you don't think so...
Thanks
K
Started 1 week ago (2009-11-19 06:54:00)
by Martin Chab
Hi Mike,
You should forget at the word "best" since that term is very relative and can cost many USD.
I am using two systems, one based on a sonnet tempo and the second with a RocketRaid. Both are connected to external racks with port multipliers what allows me to plug up to 25 hard disks on each card.
I didnt like the Sonnet even if many users says that are top notch i found the RocketRaid...
Started 5 days, 9 hours ago (2009-11-21 21:06:00)
by Battle Vaughan
Premiere has a "feature" that adapts the preview image to the load on your cpu to try to keep a real-time playback. (You can turn this off). It is likely that the additional calculations for the color correction are causing Premiere to drop back to a lower res preview. Try rendering the clip first and playing back in high-quality mode and see if that's the problem.../ Battle Vaughan
Started 1 week, 2 days ago (2009-11-17 21:52:00)
by Dan Brockett
There are no lavaliere mics on the market for that price range with XLR connections. The cheapest begin at around U.S. $200.00 list. I would advise renting, $50.00 mics sound like crap regardless of the connection.
Dan
Started 1 week, 1 day ago (2009-11-18 17:48:00)
by Robert Young
Interesting to hear that you are having the problem with HDV.
I am having the same problem with Sony XDCam EX1 footage converted to CF in HDLink, but only when played by PPro, either CS3, or CS4. If I play the CFHD.avi clip in a player (WMP, etc.) the synch is fine. I've never figured out what the problem is. My workaround is to unlink the A & V in PPro timeline, adjust the synch. It's a real ...
Started 1 week, 1 day ago (2009-11-18 07:07:00)
by November 18th, 2009, 07:07 AM EX1/EX3 line twitter and shimmering SteveMcClean
I seem to get an awful lot of line twitter and background shimmering when viewing my EX1 and EX3 footage on a 1080p LCD TV. Its the same effect whether I am watching raw footage straight from the camera or the edited version on DVD. I've read a few posts here suggesting that this is probably a monitoring issue but the fact is that my end clients are watching the end output on similar consumer TVs...
Started 1 week ago (2009-11-19 20:11:00)
by Richard Hunter
Hi Mark. I find PFVision to be very good at maintaining colour and brightness in low light. But I suggest you try these presets for yourself and see what you prefer.
Richard
Started 6 days, 15 hours ago (2009-11-20 15:11:00)
by Richard Alvarez
US laws regarding ' work for hire' will probably differ from those in Pakistan. You will need to ask someone specifically versed on Copyright Law in Pakistan. (And while people here might offer their opinions, NO ONE is going to give you legal advice.)
Started 11 months, 2 weeks ago (2008-12-17 03:28:00)
by Mathieu Ghekiere
I mostly output in FCP in it's original settings of the sequence, and if I need other versions for web and dvd, I all do them in Compressor. It gives me the oppurtunity to put things in a batch, and have more control over the image when needed.
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