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Composition, Arranging & Analysis | Forum profile
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Forum profile page for Composition, Arranging & Analysis on http://www.ibreathemusic.com.
This report page is the aggregated overview from a single forum: Composition, Arranging & Analysis, located on the Message Board at http://www.ibreathemusic.com.
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Posting activity on Composition, Arranging & Analysis:
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Composition, Arranging & Analysis Posting activity graph:
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user's latest post:
chris j- the future of gigging
Published (2009-11-28 11:33:00)
Quote: Originally Posted by JazzMick Who you know is always a big factor. You can be the best sax player or guitarist or drummer, but if you don't know anyone who wants to use you then you are going to be stuck doing nothing. There is also the fact that you need to be likeable. It's not always the case, but again, if you are the most amazing musician but you cant get along with people both as a professional and simply as a fun...
user's latest post:
chris j- the future of gigging
Published (2009-11-28 00:02:00)
There is gigging through a booking agency and then the gigging we do. We don't do the bars, honk-a-tonk, dance halls, etc any more. Most of our gigs come from word of mouth or monthly gigs we've been doing for years. Some are paying gigs, like fish fries, birthdays, club functions, street dances, local functions like the the Sweet Potato Festival or Iron Horse Days and then sometime we will play for free if we like you or your cause...
user's latest post:
chris j- the future of gigging
Published (2009-11-28 12:43:00)
Quote: Originally Posted by rafapak hi guys I read chris's comments on the future of music business e.t.c. Since he is professional musician there is no reason to doubt that what he said is true. Do you think guys that the same rules that govern recording music apply also to gigging? I remember one post from long ago. Somebody wrote that getting jobs as a musician has to do with knowing certain people. Well, I think this works in all...
user's latest post:
chris j- the future of gigging
Published (2009-11-28 05:29:00)
Who you know is always a big factor. You can be the best sax player or guitarist or drummer, but if you don't know anyone who wants to use you then you are going to be stuck doing nothing. There is also the fact that you need to be likeable. It's not always the case, but again, if you are the most amazing musician but you cant get along with people both as a professional and simply as a fun person then you might not get offered a...
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Latest active threads on Composition, Arranging & Analysis::
Started 1 week, 3 days ago (2009-11-28 00:02:00)
by Malcolm
There is gigging through a booking agency and then the gigging we do. We don't do the bars, honk-a-tonk, dance halls, etc any more. Most of our gigs come from word of mouth or monthly gigs we've been doing for years. Some are paying gigs, like fish fries, birthdays, club functions, street dances, local functions like the the Sweet Potato Festival or Iron Horse Days and then sometime we will ...
Started 1 month, 1 week ago (2009-10-30 18:41:00)
by fingerpikingood
ya, now with internet there are some upsides and downsides for musicians as i see it.
in the past what was really good was you need a musician in order to hear music. but still the great ocmposers got the most cash. what ended up happening, is that poor people could only listen to music at your local pub, and the rich would teach their children to play their piano.
but the composers got ...
Started 4 weeks ago (2009-11-09 18:25:00)
by SeanUK
common lengths for verses and chorus' tend to be 8-16 bars, if its in between its more than likely 12 I figure. Two verses next to eachother is not very common, but if it sounds good then what does it matter but maybe you should class it as just one verse? who knows. Also your structure mite be acting like a typical AABA structure but then changes at some point.... in any case it doesn't matter...
Started 3 weeks, 1 day ago (2009-11-16 03:08:00)
by twistedcon
Goldberg Variation no: 5 Bach ( N.F.R.O from Gilbert Hotel)
http://www.youtube.com/watch?v=cfp3HNawxfU
Any criticisms, comments, tips etc. would be very helpful.
Also, This was the first time I had to edit two guitars in a way they both start at the same time so that the song sounds the way it should.. I had no clue how to. ...
Started 4 weeks, 1 day ago (2009-11-08 18:47:00)
by JonR
Quote:
Originally Posted by SeanUK
Hey guys,
This is my first Jazz tune ive ever written, but im not sure of the key signature of the piece. I thought at first the A section was in Ebmajor and that the B section was in E lydian (Bmajor) but due to the heavy chromatisicm involved it becomes a little confusing. Here the chord ...
Started 1 month ago (2009-11-07 10:28:00)
by loginfashion999
Nike signed a deal with Michael Jeffrey Jordan in 1984, introducing the basketball shoe known today as the " Air Jordan ". Mike changed the game with the release of the Air Jordans because there was no other shoe like it. Jordanshoesdiy is a professional store sells Air Jordan Shoes with the best quality and the lowest price. Buy Air Jordan Shoes from us, you can get all styles and all ...
Started 5 months, 3 weeks ago (2009-06-13 21:10:00)
by Malcolm
I've not run into the theory of guidetone lines before, however ole Google took me here and it seems these guys know all about it.
http://forums.allaboutjazz.com/showthread.php?t=29 144
If you are just asking how to harmonize a song the old basic way --
http://www.ibreathemusic.com/forums...ead.php?t=15 384
Malcolm
Started 3 years, 9 months ago (2006-03-06 08:34:00)
by gersdal
Welcome to IBM Alex,
I think there is another thread on dual guitar harmony going at the moment.
You may want to check that.
Edit:
Some months ago there was also this short discussion on an example for
harmonizing:
http://www.ibreathemusic.com/foru ms...read.php?t=9776
Started 1 month, 3 weeks ago (2009-10-14 20:19:00)
by bluesking
Quote:
Originally Posted by faintron
Setting harmony aside for now, I'm curious if anyone has any thoughts about which method of writing tunes is easier or more efficient: writing (or "vocalizing") the melody line and then plugging in syllables/words per note, or writing lyrics and then setting these to a melody.
I've read that ...
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