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B&W: Film, Paper, Chemistry | Forum profile
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Forum profile page for B&W: Film, Paper, Chemistry on http://www.apug.org.
This report page is the aggregated overview from a single forum: B&W: Film, Paper, Chemistry, located on the Message Board at http://www.apug.org.
This forum profile page summarizes the general forum statistics such as: Users Activity, Forum Activity, and Top Authors, which are reported in either a table or graph below for a given reporting time period.
Additional forum profile information for "B&W: Film, Paper, Chemistry" on the Message Board at http://www.apug.org is also shown in the following ways:
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2) Hot Threads for Last Week
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Posting activity on B&W: Film, Paper, Chemistry:
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3 Months
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B&W: Film, Paper, Chemistry Posting activity graph:
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Top authors during last week:
user's latest post:
Kodak Rebate Until 12/31/2009
Published (2009-12-29 08:41:00)
Kodak film is always a good deal ;-) RB Ps. I am looking to borrow a couple of "households" to get additional rebates for tons of boxes that I bought this year.
user's latest post:
Dark marks on the edge of...
Published (2009-12-29 04:11:00)
I add about 3 drops per litre, it's important not to add too mush as that canl cause foaming. A suggestion fill you dev tank with water add the spirals etc (no film) observe the air bells, then add just enough wetting agent to cut the surface tension, which releases the bubbles. I did that then also with some developer as I wanted to solve the problem once & for-all. It's a problem that is more likely to happen with home brew...
user's latest post:
Can you develop C-41 film with...
Published (2009-12-29 10:55:00)
Patrick, glad you're doing well. On long printing times, well the orange mask may have a lot more to do with it than anything else. Seems to me that mask is awfully close to the color of a safelight. Obviously, it's not a good safelight filter, but I suppose that it blocks enough of the spectrum to which B&W papers are sensitive to make a big difference. I tried a few times to print a color negative onto B&W paper and...
user's latest post:
Can you develop C-41 film with...
Published (2009-12-29 11:24:00)
There are so many threads on this question that you should get a good set of hits with the search function. PE
user's latest post:
Oriental Seagull FB VC
Published (2009-12-29 10:34:00)
I've only gotten a couple prints I liked from the Seagull, but I already own it so I'll have to do more tests. I like that it comes in 5x7...I have to cut down most of my other FB papers. I got some old MGIV from Craigslist, haven't gotten around to comparing it yet (I have waaay too many papers!). Emaks is BEAUTIFUL, Slavich Unibrom is OK thus far (need more tests), would like to try Slavich Bromportrait as it's cheap for...
user's latest post:
Purple tinted Tri-X 400 (120)...
Published (2009-12-26 17:12:00)
Quote: Originally Posted by RalphLambrecht Tom Split the two fixes into 3 minutes each. Reduce the in-between wash to just a minute or two (you don't need more). Extend the final wash to 10 minutes but precede it with a 2 minute hypo-clearing bath and the purple tint will be gone. I have none in my workflow (nor do I do a pre-soak). Does this suggest that Kodak TMY-2 is somehow less prone to purple tinting compared to Tri-X, or rather...
user's latest post:
How Critical is developer temp...
Published (2009-12-27 23:14:00)
PE, Can you give me an idea in about what temperature I should start worrying about fogging? This is a great concern for me as I live in Central Florida.
user's latest post:
Ilford DELTA 100 reciprocity
Published (2009-12-29 11:59:00)
I think you might get a better fit if you fit an equation to just the amount you must add to the indicated exposure time. Thus, (tadj - tmeas) = a * (tmeas ^ b) You can linearize it by the log transform to: log(tadj - tmeas) = log a + b log tmeas Just call log a = c and solve for b and c. Then a = 10^c. On log-log paper, this is a straight line with intercept a at tmeas =1 and it goes through 100^b at tmeas=100. I have found that for the films...
user's latest post:
Oriental Seagull FB VC
Published (2009-12-29 10:44:00)
I can only speak to comparing it to Ilford MG IV-----in my view MG is a better looking paper. To me, MG has richer blacks (in Dektol) and just generally an all around glossier and smoother surface.
user's latest post:
Kodak Rebate Until 12/31/2009
Published (2009-12-29 08:04:00)
I have known about this rebates for months and I finally bought five 120 Plus-X rolls last week. I sent the rebate in a few days ago. Steve
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Latest active threads on B&W: Film, Paper, Chemistry::
Started 4 days, 4 hours ago (2009-12-29 01:41:00)
by MattKing
Lee:
Thanks for your post. If I understand it correctly, you (and Howard Bond) are referring to the behaviour of the film when exposed for longer times. My observations were related more to the lighting conditions one often encounters when longer exposures are required.
Matt
Started 4 days, 4 hours ago (2009-12-29 01:05:00)
by gregmacc
We've just returned from the swimming hole. Pinholemaster and Krzys ... I'm using Tri-x 'cause it's what I have ... and it's not EXACTLY Trii-X ... It's Arista Premium 400 ... which apparently is re-branded Tri-X ... I figure if I post referring to it as Tri-X I might get more responses. I purchased a big bunch of it from Freestyle. Worked out to be $4.50 AUD/roll which is half the price of local...
Started 4 days, 3 hours ago (2009-12-29 02:03:00)
by cooltouch
I agree. I'm hoping that someone here, vastly more experienced than myself with developing B&W, may recognize the likely cause of the streaks that are shown in the first photo. I find it curious that these streaks are evident only in the first four images.
Also, for some reason, the first image is being displayed here somewhat darker than it looks when viewing it within my image processing ...
Started 4 days, 4 hours ago (2009-12-29 01:28:00)
by Bruce Osgood
Patrick,
I'm very glad you're back.
Started 4 days, 4 hours ago (2009-12-29 01:20:00)
by hvandam2
I've been shooting Ilford films and sue Ilford DDX for development. Will this developer work well with these Kodak films?
Started 4 days, 3 hours ago (2009-12-29 02:47:00)
by cbphoto
Thanks to both of you. I could budget for the Ilford if it's noticeably better (still cheaper than those stupid premium ink-squirt papers). Should I bother trying the Varycon or Kentmere VC papers?
What about the Emaks and Kentmere graded papers? Because they have 2,3, and 4 grades, I wouldn't mind using them despite the greater initial cost, if the tonality will be better. The ...
Started 4 days, 3 hours ago (2009-12-29 02:45:00)
by Ian Grant
Yes air bells, unmistakeable.
I add 3 drops of wetting agent to my Pyrocat HD and that totally eliminates the problem which is a hard water issue usually. I've posted images of visual test I did in the past with no lid on my tanks and without the wetting agent there was no way I could get rid of the problem.
Ian
Started 3 days, 19 hours ago (2009-12-29 09:54:00)
by aldevo
With my supply of Forte Polywarmtone steadily dwindling to exhaustion, I now need to consider a warmtone paper replacement. At this point, I'm willing to consider graded papers.
I had considered Kenmore Kentona - but, alas, that's gone, too.
Slavich's Bromportrait seems interesting, but there's very little information available for it on the Web (at least to the English-speaking world)....
Started 4 days, 2 hours ago (2009-12-29 03:49:00)
by wclark5179
Try them out on a roll you can sacrifice.
I use mixed stock solutions of developers, stop baths & fixers that are 2 years old. So far so good!
The only ? I have the temp. range your stuff has been subjected. Can you store them some place else?
I keep my stock solutions in mt 2 liter soda bottles stored under the cabinet sink in a bathroom where I do my film developing. The plastic ...
Started 4 days ago (2009-12-29 05:08:00)
by ronlamarsh
I need to puyrchase some 5X7 and am debating picking up one of the last 50
sheet boxes of EDU Ultra(FOMA 200) that Freestyle has. Or do I just go
ahead and bite the bullet and get some HP5, since I don't know if the FOMA
200 will ever be around again. BTW I finally tamed the EDU ultra 200 using
Formulary TFX-2 50ml:50ml:900ml H20 for 18 mins shot at 100asa. It gives
shadow detail on par with tri-...
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Hot threads for last week on B&W: Film, Paper, Chemistry::
Started 6 days, 14 hours ago (2009-12-26 15:19:00)
by stradibarrius
replacement for APX 100??? What film currently manufactured do you think is closest to the characteristics of Agfa APX 100? What about Fuji Acros 100?
__________________
"Generalizations are made because they are generally true"
Started 4 days, 4 hours ago (2009-12-29 01:28:00)
by Bruce Osgood
Patrick,
I'm very glad you're back.
Started 1 week, 2 days ago (2009-12-23 20:52:00)
by MikeSeb
You need a beating, Boyer.
Started 4 days, 4 hours ago (2009-12-29 01:05:00)
by gregmacc
We've just returned from the swimming hole. Pinholemaster and Krzys ... I'm using Tri-x 'cause it's what I have ... and it's not EXACTLY Trii-X ... It's Arista Premium 400 ... which apparently is re-branded Tri-X ... I figure if I post referring to it as Tri-X I might get more responses. I purchased a big bunch of it from Freestyle. Worked out to be $4.50 AUD/roll which is half the price of local...
Started 4 days, 3 hours ago (2009-12-29 02:03:00)
by cooltouch
I agree. I'm hoping that someone here, vastly more experienced than myself with developing B&W, may recognize the likely cause of the streaks that are shown in the first photo. I find it curious that these streaks are evident only in the first four images.
Also, for some reason, the first image is being displayed here somewhat darker than it looks when viewing it within my image processing ...
Started 4 days, 4 hours ago (2009-12-29 01:20:00)
by hvandam2
I've been shooting Ilford films and sue Ilford DDX for development. Will this developer work well with these Kodak films?
Started 1 week ago (2009-12-25 11:15:00)
by fschifano
You could be doing any number of things wrong. I use TMX and TMY more than a little bit, and I never have that sort of problem with either. For the record, I develop both in either D-76 or XTOL 1+1. I don't find TMAX films to be lacking at all, but they are more sensitive to development controls than the old standbys of Plus-X and Tri-X. Make sure your thermometer is accurate and consistent,...
Started 4 days, 4 hours ago (2009-12-29 01:41:00)
by MattKing
Lee:
Thanks for your post. If I understand it correctly, you (and Howard Bond) are referring to the behaviour of the film when exposed for longer times. My observations were related more to the lighting conditions one often encounters when longer exposures are required.
Matt
Started 5 days, 19 hours ago (2009-12-27 10:35:00)
by Venchka
My results:
HP5+, esposed at ISO 250, Xtol 1:3. My time is 10 minutes. everyone is different. Find your personal developing time. A lovely combination. You will get as many answers as there are people responding. These threads are long and plentiful.
Tmax 3200, E.I. 1600, Xtol 1: 3, 19 1/2 minutes. Nice.
Started 5 days, 9 hours ago (2009-12-27 20:34:00)
by jgjbowen
I used to struggle with this all the time. It would take me about 1/2 hour to get the chemicals to the correct temperature prior to starting development and using a water bath to try and keep the temperature constant. Then I said the hell with it and purchased a Zone VI compensating developing timer. Now I just stick the probe in the tray of developer, hit the footswitch and start processing ...
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