Started 3 weeks, 6 days ago (2008-12-13 06:04:00)
by Energy jobs
Length is determined by the type of shooting you do. Shorter poles are more useful for ENG, hand booming, fast moving situations and lots of
interiors. For exteriors, placing the boom on a C-stand, or dramatic, narrative type work, longer poles are more popular because there is generally a focus puller, camera operator, director and sometimes other crew near the camera, so the boom operator's ...
Started 1 month, 1 week ago (2008-11-28 12:25:00)
by Zwick
There is a really
marvelous search engine called Google, perhaps you've heard of it? http://www.google.com/search?client=...UTF-8&oe=UT F-8
Started 1 month, 2 weeks ago (2008-11-20 11:44:00)
by lmsinn
Hi all, This topic is related to the recent thread about why -20db, but it's a bit more about standards. I am one of those who usually sets tone to -20 or -18. Currently, I'm working with the DVX100 and FP33. As a standard, I send tone (
line out) from the mixer at 0VU, and set my camera levels to -20dB or -18dB. On the DVX100, the notch on the meters that transition from white to red ...
Started 1 year, 3 months ago (2007-09-28 02:41:00)
by monkeydude
Ok.... can someone give me an answer to this one. I am an editor, using a Final Cut Pro edit suite, hooked up to a Blackmagic card and mostly working with Digital Betacam and DVCPro HD. It appears that MOST sound recordists INSIST on
setting tone to -20db when plugging into the Digital Betacam cameras and then not letting any peaks exceed this limit when recording. The problem I ...
